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From Publishers Weekly

Far removed from the satirical reimagining some might expect from the father of underground comix, Crumb's long-awaited take on the first book of the Bible presents the artist's own sensitive, visually intense reflections. Where most visual adaptations edit down their prose sources, Crumb has, strikingly, included every word of the Book of Genesis within his first major book-length work. His humanistic visual response to this religious text imbues even briefly mentioned biblical characters with unique faces and attitudes, and his renderings of the book's more storied personalities draw out momentous emotions inspired by the book's inherent drama. Throughout, Genesis is a virtual portfolio of Crumb's career-long effort to instill fluid cartoon drawing with carefully rendered lifelike detail. Some might miss Crumb's full stylistic and tonal range, but the source's narrative sweep includes moments of sex and scandal that recall the artist's more notorious comics. Indeed, this monumental visual adaptation's basic strategy may subvert simply by demanding a reconsideration of its source, one that continues to motivate the complex cultural struggles that have, for decades, preoccupied this master cartoonist's landmark work. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

“The best place to witness Crumb's genius. Largely stripped of the sociopolitical context that has made his comics so controversial over the years, Genesis’ portraits of ancient men and women struggling to survive shows that his primary interest lies in chronicling the physical and mental experience of being human.” - Thrillist.com“Starred Review. Crumb’s vivid visual characterizations of the myriad characters, pious and wicked, make the most striking impression. His distinctive, highly rendered drawing style imparts a physicality that few other illustrated versions of this often retold chronicle have possessed. The centenarian elders show every one of their years, and the women, from Eve to Rachel, are as solidly sensual as any others Crumb has so famously drawn.” - Booklist“To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement.... stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.” - Paul Buhle, The Jewish Daily Forward“It’s a cartoonist’s equivalent of the Sistine Chapel. It’s awesome. Crumb has done a real artist’s turn here―he’s challenged himself and defied all expectation. ... I’ve read Genesis before. But never have I found it so compelling. By placing it squarely in the Middle East―and populating it with distinctively Semitic-looking people―Crumb makes it come alive brilliantly.” - Susan Jane Gilman, Morning Edition, NPR“[A] beautifully drawn and relentlessly faithful rendition of the first 50 chapters of the Bible by an apostle of the 1960s and sometimes profane progenitor of underground comics. Crumb has produced what could be the ultimate graphic novel.” - David Colton, USA Today

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Product details

Hardcover: 224 pages

Publisher: W. W. Norton & Company; 1 edition (October 19, 2009)

Language: English

ISBN-10: 0393061027

ISBN-13: 978-0393061024

Product Dimensions:

8.9 x 1 x 11.2 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

312 customer reviews

Amazon Best Sellers Rank:

#23,765 in Books (See Top 100 in Books)

First, I have to say that, in spite of growing up in the 60s, I've never been a great fan of the drawing style of R. Crumb. But this summer, on a visit to Seattle, I spent an afternoon at the Seattle Art Museum, where the featured exhibit was an extensive look at some of the world's most famous print makers. Surprisingly, the final phase of the exhibit was all of the original drawings from Crumb's The Book of Genesis Illustrated. I spent over an hour reading each panel, but the exhibit went on for half a dozen rooms and I literally ran out of time. The extent of this work is more than impressive, as is Crumb's research into Bible-era costumes, buildings, and backgrounds. Not being able to finish the museum exhibit, I had to buy the book, and am still in awe. This is not a comic book, but an incredible attempt to illustrate Genesis in a straight-forward manner, and the result is amazing. As Crump warns on the cover, this is not for children, since he honestly depicts the Bible's several descriptions of sex acts and incest, and--true to Crump's style--all women are drawn as overly voluptuous. But for anyone interested in visualizing Genesis, this is a masterpiece.

Remember when you were young and someone got you a book of Bible stories? This is not that. Remember when you got older and may have been a 'counter-culture' type (a Hippie or a Yippie?) Then you probably know who R. Crumb is, or at least Mr. Natural--the Keep On Truckin' guy. Maybe you ARE a Mr. Natural guy in the Tribe, like me. So finally after not being able to find it in a used book store, I ordered it. This is not for kids if you don't want them looking at Eve's (cartoon) nipples and mature illustrations. But I would hardly consider it 'dirty'. It looks to be mature in a way we rarely see in 'religious' treatments. I was curious to see how Crumb would handle the content of B'reishiyt both textually and in illustration. I like it fine and think he has done an appropriate job.

Crumb's genius lends the perfect touch to this faithful depiction of the Biblical text. This effort is sincere -- it is not humor or satire. Yet, it breathes with Crumb's inimitable and unique perspective on life and the human condition. Crumb treats the text with the respect, and even reverence, it deserves, but, Crumb's masterful ability to depict humanity with all of its warts, imperfections and vulgarity conveys an honesty and genuineness to the interpretation of the Biblical text and stories that any honest student of Genesis understands actually lies underneath the pious veneer some would gloss it over with and let's us see the raw fallen humanity that was what the Biblical authors originally intended.

R Crumb has produced a masterpiece. Taking the book of Genesis, bringing it to life with his amazing drawings and a savvy analytical mind, he has created a fresh vision of one of our civilization's oldest books. His research and commentary at the end of the book is just as thorough, engaging and enlightening as the pages of Genesis. Bravo! I gained new insight into today's issues and problems regarding the "sand religions" and their influence on our lives.

On the cover of the newest edition of the book of Genesis, there is a warning: "Adult supervision recommended for minors." It is an appropriate warning, but it is also as close to a joke as R. Crumb comes in the whole work. _The Book of Genesis Illustrated_ (Norton) is not Zap Comix, it is not Fritz the Cat, it is not "Keep On Truckin'". What it is is a retelling of all the chapters in Genesis, with enormous seriousness. It is not facetious to compare Crumb's illustrations with the work of Bible illustrators like William Blake or Gustave Doré. These drawings are beautiful. Fans of Crumb's work will immediately recognize his style of hatching and stippling, and the meaty, heavy-legged look of his figures. The black-and-white pictures, laid out in comic-book form on 200 large pages, are simply gorgeous, as expressive as paper and ink can ever be.Crumb has taken around four years to bring out the book. That he might illustrate such faith-laden material struck many as outrageous. In his introduction, he writes, "If my visual, literal interpretation of the Book of Genesis offends or outrages some readers, which seems inevitable considering that the text is revered by many people, all I can say in my defense is that I approached this as a straight illustration job, with no intention to ridicule or make visual jokes." He has been astonishingly successful. There are objections that Crumb as unbeliever should not touch this text, but perhaps what the faithful ought to be objecting to is that Crumb has not exscinded any parts of the book; if a couple "know" each other, that picture is going to get its panel just as surely as will Jacob seeing the ramp of angels going up and down. Those who like their Bibles unillustrated might have a point; it is one thing to verbally describe something distasteful or distressing, but such a thing may be even more so if it is depicted. It is especially upsetting to see men, women, children, and animals trying to save themselves from the Noachian deluge, which, if it happened, was far more severe than any of the extinctions scientists tell us really did happen in past eras. Every illustrated Bible has a picture of the ark, and animals two by two; Crumb's does, too, but his is the only one that also shows a little of the multi-species lethality of the flood. Crumb's drawings can only emphasize the peculiar, vengeful, and primitive tribal behavior of these people, whose environment and social culture might have analogies with our own, but only by the greatest of stretches. Crumb has always been competent at drawing outsiders and cranks, and here does so just because the text demands it; the drawings show the differences from our world more strikingly than mere words do.Crumb has taken the labor of illustration seriously. He has attempted to show realistic geographic and urban settings of the time, and he has had consultant friends to help him, including one who told him that in his original drawings the clothing looked like bathrobes and the tents looked like something you'd get at your local outdoor camping store. He redrew. The pictures, while obviously in his own style, are realistic and (what is most important in any illustrated text) they emphasize and help us understand the words of the story. It isn't Crumb's fault the story includes sex and violence and brutishly primitive or superstitious behavior. His book is an ambitious and surprising artistic endeavor, and anyone interested in the famous original ought to enjoy this new way to look at it. Including minors.

...READ AGAIN!Robert Crumb's take on Genesis is not a parody or a lampoon, but a word for word, dead serious translation from the Bible to comic ("graphic novel") format. No pun intended, no irony, no kidding -and its result may very well be the XX century artisic answer to Gustave Doré. Crumb's sharp pen and wondrous imagination depicts those stories as you've never seen them and are not likely to forget. The characters portrayed look more like bronze age cavemen than the Christmas pageant folk one has in mind after years of Hollywood beautification (my personal favorites are the Nephilim -just what the hell are those?!).Is it a religious book? Not so, argues the cartoonist, but you'll be the better judge. One word of advice: this is NOT a Sunday School book meant for children (needless to say, nor is the Bible!).

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